Nico Muhly, born in 1981, is an American composer who writes orchestral music, works for the stage, choral music, chamber music and sacred music.

He’s received commissions from the Metropolitan Opera: Two Boys (2011) and Marnie (2018); Carnegie Hall, the Los Angeles Philharmonic, the Philadelphia Orchestra, the San Francisco Symphony, the New York Philharmonic, Wigmore Hall, the Tallis Scholars, Westminster Abbey, Southwark Cathedral, King’s College, St John’s College and Sidney Sussex College Cambridge, at which he is composer in residence.

He is a collaborative partner at the San Francisco Symphony and has been featured at the Barbican and the Philharmonie de Paris as composer, performer, and curator. An avid collaborator, he has worked with choreographers Benjamin Millepied at the Paris Opéra Ballet, Bobbi Jene Smith at the Juilliard School, Justin Peck and Kyle Abraham at New York City Ballet; artists Sufjan Stevens, The National, Teitur, Anohni, James Blake and Paul Simon.

His work for screen includes scores for The Reader (2008) and Kill Your Darlings (2013), Howards End (2017) and Pachinko (2022).

Among his concerti are works for violin (Shrink, for Pekka Kuusisto), organ (Register, for James McVinnie), viola (for Nadia Sirota), two pianos (In Certain Circles, for Katia and Marielle Labèque) and his vocal collaborators include Iestyn Davies, Renée Fleming, and Nicholas Phan. He has collaborated with visual artists Maira Kalman and Oliver Beer and has created site-specific pieces for the National Gallery in London and the Art Institute of Chicago, and written articles for The Guardian, The New York Times, and the London Review of Books.

Recordings of his works have been released by Decca and Nonesuch, and he is part of the artist-run record label Bedroom Community, which released his first two albums, Speaks Volumes (2006) and Mothertongue (2008).