Soprano Marianne Lambert was a finalist for the Opus Prize for best album of the year in the Classical-romantic music category for Mélodies Passagères (2021), recipient of the Opus Prize for Best regional concert of the year (2018), of the An die Musik Recital Prize at the 25th Clermont-Ferrand International Singing Competition (2017), as well as of the Grand Prize at the 20th Marmande International Singing Competition (2008). Marianne Lambert has a diamond voice with shimmering colors, and a remarkable stage presence. The intelligence of her performance is matched only by the astonishing mastery of her voice. With companies and opera houses such as the Société d’art lyrique du Royaume, the Opéra de Nantes, Angers, Rennes, Montréal, and Québec, to name but a few, she has shone in numerous roles, including Ophelia in Hamlet, Gilda in Rigoletto, Stella in La fille du tambour-major, Adele in Die Fledermaus, Woglinde in Das Rheingold, Clorinda in La Cenerentola, Miss Silberklang in Der Schauspieldirektor, and Marie-Anne in Ô mon bel inconnu. A former member of the Atelier lyrique de l’Opéra de Montréal, Marianne Lambert has been a guest soloist with prestigious ensembles such as the Orchestre symphonique de Montréal, the Orchestre symphonique de Trois-Rivières, the Orchestre symphonique de Québec, the Orchestre symphonique de Drummondville, the Orchestre Métropolitain, the McGill Chamber Orchestra, Pentaèdre, the Nouvel Ensemble Moderne (NEM), and the British Symphony Orchestra.