Native New Yorker Eric Milnes has established an international reputation as conductor, harpsichordist and organist through his many performances for the most distinguished festivals and presenters across North America, Europe, South America and Asia. As a director of ensembles such as L’Harmonie des saisons, Montreal Baroque, The Portland Baroque Orchestra, The New York Collegium, New […]
Mélisande McNabney performs keyboard music of all periods on the harpsichord, organ, fortepiano and piano. She won third prize at the 2015 edition of the International competition Musica Antiqua in Bruges, Belgium. An active artist on the concert scene, McNabney has performed as a soloist at the Festival de Lanaudière, at Bourgie Hall as part […]
Alexander Weimann is an ensemble director, soloist, and chamber music partner among those in the highest demand of his generation. Currently, he focuses on his activities as Music Director of the Pacific Baroque Orchestra in Vancouver and the Seattle Baroque Orchestra, and as a regular guest conductor of ensembles including the Victoria Symphony, Symphony Nova […]
Catherine Perrin leads a very active double life as a harpsichordist and communicator. As a harpsichordist she has played throughout Quebec with groups such as the Ensemble contemporain de Montréal, Les Violons du Roy, and I Musici de Montréal. With the latter chamber orchestra she has recorded, among other works, Henryk Górecki’s Harpsichord Concerto; this disc, on the Chandos label, was rated […]
Skip Sempé, virtouso harpsichordist and founder of Capriccio Stravagante, is at the forefront of today’s musical personalities in Renaissance and Baroque repertoire. He has created a depth of interpretive wisdom representing an accomplishment unique in diversity and richness, through an authoratitive knowledge of performance tradition both historical and in the twentieth century. As a solo […]
La claveciniste et musicologue Rachelle Taylor a obtenu, en 1997, un doctorat en interprétation de l’Université McGill. Elle a par la suite poursuivi sa recherche au niveau postdoctoral en qualité de chercheur associé au département de théorie de la même université. Cette recherche, qui est devenue le sujet de sa thèse de doctorat en musicologie, […]
Diplômé avec distinction du Conservatoire de musique du Québec, Olivier Fortin est récipiendaire de plusieurs bourses d’excellence qui lui ont permis de poursuivre sa formation à Paris avec Pierre Hantai et à Amsterdam avec Bob van Asperen. Lauréat des concours Bach de Montréal du concours de Bruges, il est très sollicité pour ses qualités de […]
A professional organist, harpsichordist and fortepianist, Nathan Mondry has carved an international reputation as an improviser and composer and is currently a D.M.A. student in the Keyboard Studies program at Cornell University. After completing a bachelor’s degree in piano performance at the University of Michigan, he earned a master’s degree in harpsichord performance and an […]
Docteure en musique (2012) et détentrice du Prix avec grande distinction à l’unanimité au Conservatoire de musique de Rimouski (2001), Mylène Bélanger a débuté l’apprentissage du clavecin très tôt, sous la direction de Josée April. On a pu l’entendre sur les ondes de Radio-Canada, en autres pour l’émission Jeunes artistes et comme chambriste au sein […]
Depuis qu’il a gagné le premier prix du concours international de clavecin Musica Antiqua Bruges 2012, le claveciniste et organiste canadien Mark Edwards a rapidement été reconnu pour ses réalisations captivantes, entrainant « l’écoute dans des régions inédites et fantasques, utilisant toutes les ressources de son instrument, de sa virtuosité et de son imagination. » […]
